A Voice of Resilience and Hope: Selected Poems (1935-1989)
An anthology of poems in Greek and English covering the full range of Yannis Ritsos' work. The poems selected for translation and inclusion in this volume focus not only on the individual's struggle to maintain his dignity in a world of social and political turmoil, but also, more importantly, on the belief and hope that freedom, justice, and love will prevail. With an extensive introduction and notes by the translator.
Contents
Prefatory Note |
p. XVII |
|
Acknowledgments |
p. XIX |
|
A Note on the Translator |
p. XXI |
|
Introduction |
p. XXIII |
|
1. from |
TRIAL (1935 - 1943) - ΔΟΚΙΜΑΣΙΑ |
p. 35 |
Midday Summer Dream (1938) - (Selected Parts) - Ὄνειρο Καλοκαιρινοῦ Μεσημεριοῦ - (Ἐπιλογἐς) |
p. 37 |
|
2. from |
NOTES IN THE MARGINS OF TIME (1938 - 1941) - ΣΗΜΕΙΩΣΕΙΣ ΣΤΑ ΠΕΡΙΘΩΡΙΑ ΤΟΥ ΧΡΟΝΟΥ |
p. 51 |
Succession |
p. 53 |
|
North Summer Wind |
p. 53 |
|
Naked |
p. 55 |
|
April |
p. 55 |
|
Brass Engraving |
p. 55 |
|
Duty |
p. 57 |
|
Silent Separation |
p. 57 |
|
At the Barracks |
p. 59 |
|
The Defeated |
p. 59 |
|
The Hill |
p. 61 |
|
Exchange |
p. 63 |
|
Fear of Life |
p. 63 |
|
A Small Invitation |
p. 65 |
|
Analogies |
p. 67 |
|
Delay |
p. 67 |
|
Childlike |
p. 69 |
|
Myth |
p. 69 |
|
3. from |
PARENTHESES I (1946 - 1947) - ΠΑΡΕΝΘΕΣΕΙΣ Ι |
p. 71 |
Hunger |
p. 73 |
|
A face |
p. 73 |
|
Maybe, Some Day |
p. 75 |
|
Remolding |
p. 77 |
|
Suddenly |
p. 77 |
|
Afternoon |
p. 79 |
|
Understanding |
p. 81 |
|
Miniature |
p. 83 |
|
Women |
p. 85 |
|
The Same Star |
p. 87 |
|
Can You? |
p. 89 |
|
We Wait |
p. 91 |
|
Conclusion |
p. 91 |
|
The Thanks |
p. 93 |
|
The Meaning of Simplicity |
p. 93 |
|
4. from |
PETRIFIED TIME (1949) - ΠΕΤΡΙΝΟΣ ΧΡΟΝΟΣ |
p. 95 |
Noontime |
p. 97 |
|
Always |
p. 99 |
|
Moon |
p. 101 |
|
The Roots of the World |
p. 105 |
|
5. from |
EXERCISES (1950 - 1960) - ΑΣΚΗΣΕΙΣ |
p. 107 |
Light |
p. 109 |
|
Isolation |
p. 109 |
|
Unspeakable |
p. 111 |
|
Shadow |
p. 111 |
|
The Statues |
p. 113 |
|
Deadly Victory |
p. 113 |
|
A Small Loneliness |
p. 115 |
|
Fulfillment |
p. 115 |
|
Spring Again |
p. 117 |
|
Exchanges |
p. 117 |
|
Daybreak |
p. 119 |
|
Same as Always |
p. 119 |
|
Only This |
p. 121 |
|
Community |
p. 121 |
|
A Small Adventure of a Tightrope Walker |
p. 123 |
|
Freedom |
p. 125 |
|
6. from |
VIGILANCE (1949 - 1953) - ΑΓΡΥΠΝΙΑ |
p. 127 |
Skirmish VIII (1952) - Ἀκροβολισμός |
p. 129 |
|
7. from |
TESTIMONIES I (1957 - 1963) - ΜΑΡΤΥΡΙΕΣ Α |
p. 135 |
That's Precisely Why |
p. 137 |
|
Moment of Reverence |
p. 137 |
|
Scrutiny |
p. 139 |
|
The Besieged and the Besiegers |
p. 139 |
|
Builders |
p. 141 |
|
Isolation |
p. 143 |
|
Daily Occurences |
p. 143 |
|
The Bucket |
p. 145 |
|
The Humble Man |
p. 145 |
|
The Spider |
p. 147 |
|
A Tree |
p. 147 |
|
The Pulley |
p. 149 |
|
Knocking |
p. 151 |
|
Ancient Theater |
p. 153 |
|
8. from |
ARCHITECTURE OF TREES (1958) - ΑΡΧΙΤΕΚΤΟΝΙΚΗ ΤΩΝ ΔΕΝΤΡΩΝ |
p. 155 |
A) Portraits of an Ancient Rain I, II, III, IV, V, VI, VIII, IX |
p. 157 |
|
B) Breathing I, II, III |
p. 174 |
|
9. from |
TESTIMONIES II (1964 - 1965) - ΜΑΡΤΥΡΙΕΣ Β |
p. 179 |
Liberated |
p. 181 |
|
Transparent Month |
p. 183 |
|
The Jester |
p. 183 |
|
The Village of Kastania |
p. 183 |
|
Among the Ruins |
p. 185 |
|
Surfacing |
p. 185 |
|
The Wash |
p. 187 |
|
Recollection |
p. 189 |
|
The Well |
p. 191 |
|
Effusive |
p. 193 |
|
Small Confession |
p. 193 |
|
The Untamed |
p. 195 |
|
Guild |
p. 195 |
|
His Find |
p. 197 |
|
The Days of an Invalid |
p. 197 |
|
Approximately |
p. 199 |
|
The Bread |
p. 199 |
|
The Virgin |
p. 201 |
|
Gift |
p. 201 |
|
Second Coming |
p. 203 |
|
10. from |
RAILING (1968 - 1969) - ΚΙΓΚΛΙΔΩΜΑ |
p. 205 |
Contrivances |
p. 207 |
|
Depiction |
p. 209 |
|
Again Little Eleni |
p. 209 |
|
Pledge |
p. 211 |
|
Blood |
p. 211 |
|
Greece |
p. 213 |
|
Rebirth |
p. 215 |
|
11. from |
THE WALL IN THE MIRROR (1967 - 1971) - Ο ΤΟΙΧΟΣ ΜΕΣΑ ΣΤΟΝ ΚΑΘΡΕΦΤΗ |
p. 217 |
General View |
p. 219 |
|
Delight |
p. 219 |
|
In a Hurry |
p. 221 |
|
Our Land |
p. 221 |
|
Evening Procession |
p. 223 |
|
Return |
p. 223 |
|
Dangers |
p. 225 |
|
The Yard |
p. 227 |
|
Not Even |
p. 227 |
|
This One Yes |
p. 229 |
|
Raid |
p. 229 |
|
12. from |
GESTURES (1969-1970) - ΧΕΙΡΟΝΟΜΙΕΣ |
p. 231 |
The Other City |
p. 235 |
|
The Usual Contradictions |
p. 235 |
|
Slackness |
p. 237 |
|
Unnatural Blossoming |
p. 239 |
|
Masquerade |
p. 241 |
|
13. from |
CORRIDOR AND STAIRS (1970) - ΔΙΑΔΡΟΜΟΣ ΚΑΙ ΣΚΑΛΑ |
p. 243 |
Perforation |
p. 245 |
|
Manifestations of Emptiness |
p. 247 |
|
Whitewash |
p. 249 |
|
At the Moment of Ascent |
p. 249 |
|
Extinction |
p. 251 |
|
One Drop |
p. 251 |
|
Common Combats |
p. 253 |
|
After the Ordeal |
p. 255 |
|
Panorama |
p. 257 |
|
Precautions |
p. 259 |
|
The Essentials |
p. 259 |
|
14. from |
CROSS SECTION (1971) - ΚΑΤΟΨΗ |
p. 261 |
These |
p. 263 |
|
All Three |
p. 263 |
|
With All Means |
p. 265 |
|
Clarity |
p. 267 |
|
Preparation |
p. 269 |
|
No Excuses |
p. 271 |
|
Judgement Time |
p. 273 |
|
Sincerity |
p. 273 |
|
This Way |
p. 275 |
|
Silently |
p. 277 |
|
Gathering |
p. 279 |
|
Bad Imitation |
p. 281 |
|
Complete |
p. 283 |
|
Free-dom |
p. 285 |
|
15. from |
DOORMAN'S BOOTH (1971) - ΘΥΡΩΡΕΙΟ |
p. 287 |
If |
p. 289 |
|
Preservation |
p. 291 |
|
Resurrection |
p. 293 |
|
Response |
p. 295 |
|
Wells and People |
p. 297 |
|
Strange Times |
p. 299 |
|
Moving |
p. 301 |
|
Decay |
p. 303 |
|
Mistakes |
p. 305 |
|
Buildings |
p. 307 |
|
Celestial Sympathy |
p. 309 |
|
16. from |
MUFFLED (1972) - ΥΠΟΚΩΦΑ |
p. 311 |
Noontime |
p. 313 |
|
Small Promise |
p. 313 |
|
After the Parade |
p. 315 |
|
Freezing Cold |
p. 315 |
|
Real |
p. 317 |
|
Apparitions |
p. 319 |
|
Familiar Hiding Places |
p. 321 |
|
Amputation |
p. 321 |
|
Among the Blind |
p. 323 |
|
Alteration Process |
p. 325 |
|
Wounded or Dead |
p. 327 |
|
Spring Noon |
p. 329 |
|
Sad Cunning |
p. 331 |
|
Out of Place |
p. 333 |
|
The End of the Performance |
p. 335 |
|
17. from |
THE DISTANT (1975) - ΤΟ ΜΑΚΡΙΝΟ |
p. 337 |
Reconstruction |
p. 339 |
|
The Distant |
p. 341 |
|
Almost Complete |
p. 341 |
|
Thanks |
p. 343 |
|
Toward Saturday |
p. 343 |
|
Winter Sunshine |
p. 345 |
|
The Statues in the Cemeteries |
p. 347 |
|
Attack |
p. 349 |
|
Brief Dialogue |
p. 349 |
|
Testimonies |
p. 351 |
|
Doubtful Stature |
p. 351 |
|
18. from |
THE NEGATIVES OF SILENCE (1987) - ΤΑ ΑΡΝΗΤΙΚΑ ΤΗΣ ΣΙΩΠΗΣ |
p. 353 |
The Uninvited |
p. 355 |
|
Failure |
p. 355 |
|
Only This |
p. 357 |
|
Out of Jail? |
p. 357 |
|
Hypothermia |
p. 359 |
|
Outcast |
p. 361 |
|
Keeping Time |
p. 361 |
|
The Poet |
p. 363 |
|
Fatherland |
p. 363 |
|
As an Epilogue |
p. 365 |
|
19. from |
THE BARE TREE (1987) - ΤΟ ΓΥΜΝΟ ΔΕΝΤΡΟ |
p. 369 |
Desolation |
p. 371 |
|
Small Chronicle |
p. 373 |
|
This Image |
p. 375 |
|
Restoration |
p. 377 |
|
Unfeasible Escape |
p. 379 |
|
Autumn Duty |
p. 381 |
|
Copy |
p. 383 |
|
Open Discussion |
p. 385 |
|
Work Table |
p. 387 |
|
Nothing More |
p. 389 |
|
Vigilance |
p. 391 |
|
Moments of Rain |
p. 393 |
|
A Strange House |
p. 395 |
|
Blown Out Lamp |
p. 397 |
|
20. from |
LATE, VERY LATE INTO THE NIGHT (1988) - ΑΡΓΑ, ΠΟΛΥ ΑΡΓΑ ΜΕΣΑ ΣΤΗ ΝΥΧΤΑ |
p. 401 |
Simultaneously |
p. 403 |
|
Persuasion |
p. 403 |
|
Miscellaneous Items |
p. 405 |
|
Ambiguous Motion |
p. 407 |
|
In Time of Rain |
p. 409 |
|
Something Abides |
p. 409 |
|
A Flowershop |
p. 411 |
|
And the Poem |
p. 411 |
|
Tilled Soil |
p. 413 |
|
The Black Boat |
p. 413 |
|
21. from |
BOAT WHISTLES (1989) - ΣΦΥΡΙΓΜΑΤΑ ΠΛΟΙΩΝ |
p. 417 |
The Last Summer |
p. 419 |
Product Description
Paperback: |
423 Pages |
Publisher: |
Holy Cross Orthodox Press |
ISBN: |
978-0-917653-52-0 |
Product Dimensions: |
6.7 x 9.5 x 1.1 inches |
Author: |
Yannis Ritsos |
Publication Year: |
2001 |
Translator: |
George Pilitsis |